Testing out some leaf materials again here. I read Yokohama Kaidashi Kikou over the past few weeks, which I thought was a beautifully done manga. It took me a few volumes to get into it, but eventually I realized how much of it is about negative space, both in the dialogue and story as well as the art. I guess I was a little inspired by Ashinano’s sparse and effortless landscape drawings, through which much of the emotion of the story is conveyed. At the same time I’m also testing out plant and tree stuff for a bigger rendering I’m gearing up for (ie, recharging spent creative juice by gaming, relaxing, doing other things besides commercial work)
And now for something completely different. A few years ago I had it in my mind to do a fan-art of the creepy “legion” monster from Castlevania. Though in most of the games it’s a boss, in Circle of the Moon it was a normal, albeit tough and scary, enemy. If I recall correctly, when it touches you you’re cursed and can’t attack until you have something uncurse yourself. I thought Circle of the Moon was one of the harder games in the series, at least among the ones I’ve played.
Here’s the original art for reference:
Been playing with tree meshes and materials, partly to ramp up for a project idea I had and partly just because I’ve seen so many damned impressive archviz renders lately. There’s some really inspiring stuff out there. I used to have this opinion that architectural rendering was more about accuracy than realism and found them generally flat and boring compared to, say, game cinematics. But from what I’ve seen lately their level of detail and photorealism trumps even the most expensive game intros (see Ronen Bekerman, Bertrand Benoit and Peter Guthrie, for example). On the other hand, there’s been quite a shift over the past ten years from pre-rendered to in-game sequences, which could play a part in it also.
Technical acumen aside I’ve also started to appreciate the beauty of a meticulously detailed architectural rendering. Not unlike a well-done landscape, I think archviz too can be inspiring and bring out emotion, capturing the stillness of a moment, the contrast between the natural beauty of trees, land and organic textures with the orderly man-made objects, the way light and shadow play across both. I find it a bit hard to describe, but there’s certainly much more feeling and art in it than a simple presentation of a blueprint to a client in 3D.
Anyway, I’m no architect and only have a vague inspiration here, so I just wanted to play with materials and light and capture that sort of minimalism and stillness.
Switching gears, a couple weeks ago I busted out another Janet remix, this time sort of a quickie. I think it’s actually closer to the original, using mostly 808s. I had an idea to do a soft minimal drum&bass version of it with a little more play on the drums, some LPF chords and a decaying arpeggiated 1/8th note synth. Kind of has a lullaby feel to it, or it would if it weren’t for the pace of the beat.